Crisis and change:

it's time to get more effectively excited.

Transform how you feel about the end of the world – and start leading like it’s a beginning. Creative projects, services and experiences for leaders facing the future.

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> THE ORIGINAL MUSICAL FUTURES SHOW

“Without emotional connection to something, people won’t feel it’s theirs. The challenge or the opportunity.”

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“We’ll help you talk about the future again.”
Momo:zo is the creative production house of me, Timo Peach, an artist and presenter working for more inspiring futures. I bring a unique playful energy and creative tone to facing the era of transition.
Climate literacy, ESG and the cultural context for change – I and my partners know what we’re talking about, but we will transform your experience of having to deal with impossible-feeling challenges, and how to take your people with you.

I stand with environmentalists but I think like an artist to bring alive events and experiences that help:

> THE WEEKLY MAILERS

leaders

develop their strategic world-building businesses.

changemakers

bring alive their world-saving
data.

creatives

apply their world-making skills.

speakers

feel like world changers on stage.

Dive into some creative sensemaking

Insights and experiences shared in our regular Unsee The Future Substack columns.

It’s definitely time to use the f-word. But, as leaders, we must know what it’s worth when we say it.
While I can easily talk about *The Future!* violent race-related riots across England this week felt like an attempt to drag the UK into the past. But in a similar spirit to a festival I co-hosted last weekend, joyfully defiant community responses all over the country have demonstrated something to take note of.
If you’re trying to project authority without drama, you won’t fancy parading your *emotional truth* at work – but you certainly won’t lead by leaving it at home. You’re in theatre now.
At an event with surgeons, leaders and students from University Hospitals Dorset with Bournemouth University last week, I suggested that there might be a way to boost everyone’s sense of wellbeing while also getting them to help you do your impossible job – engaging with the future.
Without fuss, there is a very public experience that always brings to life our needs for connection, and says as much about what we want from where we live as how we fit with those around us.
Whether you’re tasked with leading or you’re just trying to survive, the world in your head and the one all around you might be a privately difficult place to be at the moment – but that’s exactly why little encounters of unexpected creativity can cut through, changing the moment you find yourself in. Outdoor art experiences, like Arts By The Sea festival, can help us feel suddenly seen.
Are creative directors just there to “sprinkle some magic” on C-suite agendas, or are they trying to help people who can’t handle the truth? And who really needs them anyway?
For the frazzled Corporate Marketing Officer, is a truly invaluable creative critical friend someone who helps you hold space to think straight – and bring the best out of you? My brilliant chat with Ed from Carswell Gould on the new UnEdited Marketing Podcast was rooted in our collective “two hundred years of experience” influencing the shape of things in the supposedly *real* world.
Strong Female Leads.
Do we unsee the future of gender inequality at work with one *special* day a year? International Women’s Day was a couple of weeks ago but its memory has stayed with me thanks to an event I was invited to be part of, and it’s shown me something about how to lead a new world.
Trying to live, work and *protect assets* in 2025, who can afford to hold space for… happiness?
What do you want to commit to? Investing money or time into something means you must have seen yourself in it. But in these times, where do you see yourself? At the Invest in Happiness Summit, a recent placemaking event held in Basingstoke, guests were invited to consider how to invest in the very feelings that inspire commitment to somewhere.
When all the forecasts look bad, are you ready for different weather, or are you planning to keep hiding in the server basement at work, waiting for technology to beam us out? Or possibly in.
To face a world in crisis with a cool head, “assessing risk” needs hard numbers. But, developing creative work with Parallel Blue for a recent leadership event, we noted a very un-robot human reality driving the reporting – the very idea of *data!* feels comforting. So, when you still can’t calculate a clear course through stormy times, forget trying to control the old simulation, there is something else brewing out in the real world you should be plugging into.
Don’t mention the war? If you’re still waiting for the revolution, what about just quietly finding your voice?
How do you talk about your times – and where did you learn the language? Whatever your beliefs about how we got here, it seems most of us are feeling too up against the clock to stop and think about where we’re going. In the first performance of my new show with playwright Peter John Cooper, we faced the paralysing bad news by subversively looking somewhere else.

What do change makers really want to make a better emotional impact?

> An Unsee The Future ‘Think Blinks’ Special Feature